Stephen Dwoskin Movies

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and...

Filmmaker Jonas Mekas films 160 underground film people over four decades.

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

Reel 13 of Gérard Courant's on-going Cinematon series.

A personal film by experimental director Stephen Dwoskin.

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

"Hi Steve" and "Dear Robert" exchanged between two filmmakers: Robert Kramer and Stephen Dwoskin. "The Videoletters strip away the formalities that...

It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as...

Avant-garde appeal on behalf of and made by the adventurous leftist London cinema, The Other Cinema, using the facilities provided by the BBC...

Described by Stephen Dwoskin as "a documentary without being one," the basis of BEHINDERT is autobiographical: the story of a physically disabled man...

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film...

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.